View Full Version : Dust Bowl Commemorative Center


trogers
06-08-2005, 04:38
Project: 5th yr. university project
Dust Bowl Commemorative Center

Location: Lincoln, Nebraska; USA. 15th & "P" St.

Type of Project: Museum/Urban Anti-plaza

Design Parameters: The only parameters invovled were restrictions to the local region and to commemorate or interpret something.

The idea commemorated:
The 1930's Dust Bowl

"Dust Bowl" was a term born in the hard times from the people who lived in the drought-stricken region during the great depression. The term was first used in a dispatch from Robert Geiger, an AP correspondent in Guymon, and within a few short hours the term was used all over the nation. The "Dust Bowl Days", also known as the "Dirty Thirties", took its toll on Cimarron County. The decade was full of extremes: blizzards, tornadoes, floods, droughts, and dirt storms.

Early Thirties Economy

In 1930 and 1931, the decade opened with unparalleled prosperity and growth. NATION'S BUSINESS magazine labeled the panhandles of Oklahoma and Texas as the most prosperous region. The Panhandle was a marked contrast to the long soup lines of the Eastern United States.

Farming in the Panhandle

Wheat was a real good thing. The world needed it and was paying a good price for it. Wheat farmers with tractors, one way plows and combines purchased by most farmers after the phenomenal crop of 1926, began plowing and planting wheat as never before. The lands were planted to wheat year after year without a thought as to the damage that was being done. Grasslands that should have never been plowed were plowed up. Millions of acres of farm land in the great plains were broken.

1930 was dry but most of the farmers made a wheat crop. In 1931 the wheat crop was considered a bumper crop with over twelve million bushels of wheat. Wheat was everywhere, in the elevators, on the ground and in the road. The wheat supply forced the price down from sixty-eight cents/bushel in July 1930 to twenty-five cents/bushel in July 1931. Many farmers went broke and others abandoned their fields.

With continuing hard times and dry years, the farmers, who still had a lot of pioneering spirit and faith in the land, made ready to weather the storms. The old survival methods of pioneering were brought out of storage, dusted off and put into practice. Many farmers increased their milk cow herd. The cream from the cows was sold and the skim milk was fed to chickens and pigs.

When normal feed crops failed, thistles were harvested, and when thistles failed, hardy souls dug up soap weed which was chopped in a feed mill or by hand and fed to the stock. This was a back breaking, disheartening chore which would have broken weaker people. But to the credit of the residents of the Dust Bowl, they shouldered their task and carried on.

"I don't know, we just made it." The people of the region made it because they knew how to take the everyday practical things which had been used for years and adapt them to meet the crisis. Finding a way to make do or do differently was a way of life for the pioneers who had come to the region only a short time earlier. When they arrived there were no houses, wells, cars, telephones or fields. Times were hard when the land was settled, and the people knew how to live and grow in difficult periods.

The Storms

In 1934 to 1936, three record drought years were marked for the nation. In 1936, a more severe storm spread out of the plains and across most of the nation. The drought years were accompanied with record breaking heavy rains, blizzards, tornadoes and floods. In September 1930, it rained over five inches in a very short time in the Oklahoma Panhandle. The flooding in Cimarron County was accompanied by a dirt storm which damaged several small buildings and graineries. Later that year, the regions were whipped again by a strong dirt storm from the southwest until the winds gave way to a blizzard from the north.

After the blizzards in winter 1930-1931, the drought began. First the northern plains felt the dry spell, but by July the southern plains were in the drought. It was not until late September that the ground had enough water to justify planting. Because of the late planting and early frost, much of the wheat was small and weak when the spring winds of 1932 began to blow. The wheat was also beaten by dirt from the abandoned fields. In March, there were twenty-two days of dirt storms and drifts began to build in the fence rows.

In late January 1933, the region was blasted by a magnificent dirt storm which killed much of the wheat. In early February, the thermometer dropped seventy four degrees in eighteen hours to a record low at Boise City. The mercury stayed below freezing for several days until another dirt storm scourged the land. Before the year was over, locals counted 139 dirty days in 1933.

Although the dirt storms were fewer in 1934, it was the year which brought the Dust Bowl national attention. In May, a severe storm blew dirt from Texas, Oklahoma and Kansas as far east as New York City and Washington D.C. In spite of the terrific storm in May, the year 1934 was pleasant respite from the blowing dirt and tornadoes of the previous year. But nature had another trick up her sleeve, the year was extremely hot with new records being made and broken at regular intervals. Before the year had run its course, hundreds of people in Colorado, Texas, Oklahoma and Kansas had died from the heat.

In 1935, the weather in the Dust Bowl again made the national headlines. This storm was followed by another and yet another in rapid succession. In late March a severe storm lashed Boise City so hard that many people were stranded for hours. No one dared to leave a store and head for home although it might be less than a block away.

On Sunday April 14, 1935, the sun came up in a clear sky. The day was warm and pleasant, a gentle breeze whimpered out of the southwest. Suddenly a cloud appeared on the horizon. Birds flew swiftly ahead of it, but not swift enough for the cloud traveling at sixty miles per hour. This day, which many people of the area readily remember, was named "Black Sunday".

By May, it seemed like the wind and dirt had been blowing for an eternity. Rain was an event occurring only in dreams. It was a year of intensive dirt storms, gales, rollers and floods mixed with economic depression, sickness and disaster. It was a year of extreme hardship, but surprisingly the vast majority of the people stayed. By 1935, the unusual had become the usual, the extreme became the normal, the exception became the routine.

During 1936, the number of dirt storms increased and the temperature broke the 1934 record high by soaring above 120 degrees. On one pleasant June day in 1936, the ground began to tremble. A sharp earthquake shook the land from Kenton to Perryton and from Liberal to Stratford. By the fall of 1936, the rains began to return and the heat wave was broken. The following year, 1937 was another year of unprecedented dirt storms. Day after day, Dust Bowl farmers unwillingly traded farms as the land moved back and forth between Texas and Kansas. And of course there were the usual floods. 1938 was the year of the "snuster". The snuster was a mixture of dirt and snow reaching blizzard proportions. The storm cause a tremendous amount of damage and suffering.


http://www.ptsi.net/user/museum/images/dust1.gif

A giant dust storm engulfs Boise City. Cyclic winds rolled up two miles high, stretched out a hundred miles and moved faster than 50 miles an hour. These storms destroyed vast areas of the Great Plains farmland. The methods of fighting the dust were as many and varied as were the means of finding a way to get something to eat and wear. Every possible crack was plugged, sheets were placed over windows and blankets were hung behind doors. Often the places were so tightly plugged against the dust (which still managed to get in) that the houses became extremely hot and stuffy.

http://www.ptsi.net/user/museum/images/dust2.gif

The clouds appeared on the horizons with a thunderous roar. Turbulent dust clouds rolled in generally from the North and dumped a fine silt over the land. Men, women and children stayed in their houses and tied handkerchiefs over their noses and mouths. When they dared to leave, they added goggles to protect their eyes. Houses were shut tight, cloth was wedged in the cracks of the doors and windows but still the fine silt forced its way into houses, schools and businesses. During the storms, the air indoors was "swept" with wet gunny sacks. Sponges were used as makeshift "dust masks" and damp sheets were tied over the beds.

http://www.ptsi.net/user/museum/images/dust3.gif

Black Sunday April 14, 1935. The dust storm that turned day into night. Many believed the world was coming to an end.
The Future

The Dust Bowl taught farmers new farming methods and techniques. The 1930's fostered a whole new era of soil conservation. Perhaps the most valuable lesson learned form the Dust Bowl - take care of the land. The Dust Bowl's future is controlled almost exclusively by the weather. The prolonged drought combined with the meteorological phenomena of the 1930's was rare and never before tortured the Great Plains as it did. Droughts and winds still cause many problems, but most are averted and minimized with proper soil conservation. When times turn dry again, will the wind blow and history repeat itself? Only time will tell.

trogers
06-08-2005, 04:39
A few more contextual shots before I get to the design...

trogers
06-08-2005, 04:40
last one:

trogers
06-08-2005, 04:48
Design intent:

An urban snapshot of time, this center is a chronicle of the creation of space commemorating the american dust bowl of the 1930s. An invitation and separation of space for the embodiment of emptiness and wrath of the midwestern farmer. This center is not only a house for artifacts and documented accounts, but an experience for many to understand. The idea of a large poetic urban space allows a typological change of an existing museum to allow for vertical spacing of programmatic elements that engage with the idea of the earth.

Primary spaces include: the main lobby, general gallery space located in the "roof" portion of the building, a poetic space of reflection an isolation from, and an auditorium below the undulating stone surface. Secondary program spaces include, office space for government farming technology research, storage spaces for the gallery, and parking.

trogers
06-08-2005, 04:50
My initial presentation boards were approximately 12 feet wide total, and 6 feet tall. Overall 01:

trogers
06-08-2005, 04:51
Overall 02:

trogers
06-08-2005, 04:52
Enlarged board 01:

trogers
06-08-2005, 04:53
Board02:

trogers
06-08-2005, 04:53
Board03:

trogers
06-08-2005, 04:55
Board04:

trogers
06-08-2005, 04:56
Board05:

trogers
06-08-2005, 04:56
Lower Floor Plan:

trogers
06-08-2005, 04:57
First Floor Plan:

trogers
06-08-2005, 04:58
Upper Floor Plan:

trogers
06-08-2005, 04:59
Section AA:

Probably the best informative drawing of the bunch...you can understand the long entry pieces to the lowest point of the roof. At the entry, the roof presses down to approximately 7', enough to make anyone feel the weight of the once large urban space compressing down on them. Note the auditorium below, the gallery above, and a walking area around the commemorative space.

trogers
06-08-2005, 04:59
Section BB:

trogers
06-08-2005, 05:00
Image01:

trogers
06-08-2005, 05:01
Image02: Night shot

trogers
06-08-2005, 05:03
Nightshot 02: (I couldn't replicate that water again if i tried...)

BTW: most images are done in VIZ4 w/ scanline renderer & radiosity...This was just before I fully utilized the beauty of sketchup.

trogers
06-08-2005, 05:05
Looking into the untouchable space from the inside...I haven't decided in retrospect how cheeky the undulating brick is...however, I do like the connection to the loss of topsoil and permanent clay below it...

trogers
06-08-2005, 05:09
The gallery above: Bringing the metal mesh facade within helps delineate the space and organize it in a favorable fashion for gallery permanent collections and rotating collections. It also can become a favorable gathering space for large receptions.

trogers
06-08-2005, 05:11
Detailing:

Something worth noting before I call it quits for now: It is a metal mesh facade, comparable to Steven Holl's Menger Sponge Idea. Breaking down the facade's massive nature was of great importance without impacting the interior perception of the main poetic space. The mesh allows a sense of transparency for the gallery within, and, also the structural backup for the mesh breaks down the scaling of the facade.

Please don't back down on the comments even though this was created a couple of years ago...I'm always up for learning.

tr

lavardera
06-08-2005, 05:45
TRodgers, I really like your scheme, particularly the urban space that is made under the extended gallery structure, and the notion of this surface that mimics the dust dunes and is offset as something you can't enter. I wonder about the brick for this surface as it seems so permanent where as the dust was so transient. Yet treating this surface with sand or something "soft" would probably be too literal. Be conscious of the thickness of your structure - the roof of the auditorium seems awfully thin - you were not proposing a tile arched roof? A question - how does the water pool in front of the center relate to the story?

dgoPull
06-08-2005, 10:15
trogers, beatiful scheme. out of curiousity, how do you model the perforated metal mesh in SU?

bakbek
06-08-2005, 10:24
I Guess it is a plane mapped with this texture in VIZ ? But this can be done with SketchUP v5.0 also if you use a TIFF with this alpha channel.

I'll take the time to review this post before i comment on the design... so far so good. :cheers:

trogers
06-08-2005, 14:39
Be conscious of the thickness of your structure - the roof of the auditorium seems awfully thin - you were not proposing a tile arched roof? A question - how does the water pool in front of the center relate to the story?

Thanks Greg...I didn't have much time to go in depth on the auditorium. The entrance to it is a descent into the ground. Also, I was hoping that the ceiling was stamped concrete, so you could see the underside in a similar fashion as well as add additional acoustics. Open web steel joists as thin as possible run the width of the auditorium. And everything is open to structure. I didn't re-evaluate the idea, so I do agree that now it appears thinner than it should.

The water is a contrast to the stark interior of the space. Inentionally, it is also supposed to reflect some additional light into the center of the space so that the space is lit just enough to appear to be not enough...Also, the reflection on the plaster roof above would have reflections of water, mimicking perhaps a cloud overhead...and the curved design increases wind pressure through the space, enhancing the eperience of the overlook at the edge of the urban space.

tr

trogers
06-08-2005, 14:41
I Guess it is a plane mapped with this texture in VIZ ? But this can be done with SketchUP v5.0 also if you use a TIFF with this alpha channel.

I'll take the time to review this post before i comment on the design... so far so good. :cheers:

Excellent guess, bakbek. Opacity map in VIZ. Saves for modelling 1 million tiny holes....and screwing up the radiosity process. Alpha transparency is amazing.

lavardera
06-08-2005, 17:36
The transparency works with png files also.

drichards
06-08-2005, 18:27
The night shots with the undulating wave is very graphic. Stunning, and it drew me into the space. I think these images are the ones that convey the roling sand dunes the best. Excelent design from a visual perspective. :clap:

Richard
08-08-2005, 09:52
I'm sitting here - jaw on the table, drooling from the corners of my mouth!

Trogers, mate you have lifted the bar in a sand storm!!!!

Well done all round:

The Presentation of images,
The presentation of the boards,
The convey of your design and intent,
The interpretation of a natural occurence into your built form.

Mate your talent has shown through in each aspect from conception - to disection.

Honestly it is a shame this project is purely hypothetical.....To see it built would only then do justice.

Cheers, Richard

cobberman
08-08-2005, 16:07
I really like your ability for detail in your images. You last image was quite striking, as is why it is the main picture on the front page. the ammount of detail you show for the structure of the project is something I love, It shows that you've actually though how this stuctuer is put together. You've not just though about form, but you've expressed the structure which makes the project more of a reality.

One thing to comment though... those wireframe people in the last image aren't adding to the quality of the image, perhaps some greyscale cutouts would have been better? But maybe they werent availible when you finished the project.

trogers
08-08-2005, 17:20
One thing to comment though... those wireframe people in the last image aren't adding to the quality of the image, perhaps some greyscale cutouts would have been better? But maybe they werent availible when you finished the project.

Those wireframe people do detract from the image quality...I've blurred out people in other images and perhaps added a little discontinuity to the presentation by doing so. The detail model was built virtually from a portion of elevation and one of my corresponding 2d sections. I left the CAD file within the detail model because I thought it added a little depth to the snapshots taken of the detail model. Perhaps I was a little hasty...

Richard, I agree. I am still trying to find someone to buy into my idea to get it built someday. Every time I drive by the fast food restaurants that occupy the current site, I only see my project, not what exists. Who knows what the future will hold.

As to my favorite images, I do like the night shots as well. They do make you focus on the spatial intent of the project.

Thank you for all the kind complements so far. :cheers:

tr

manc
08-08-2005, 20:12
An excellent design: simple and elegant, yet bold and place-making.......beautifully executed in the presentation.


well done!

:rock on:

ROb

Brian T
08-08-2005, 21:36
Fantastic project. the only thing I find troublsome is that plaza with the pool in it. It feels a litte starck to me. Feels a little like many of the rigid civic plazas that were built in the 60's in the US that are plagued by a lack of use and uncomfortable spaces. Regardless it's a pleasure to look at the images. The design as a whole is stellar.

trogers
09-08-2005, 01:18
Fantastic project. the only thing I find troublsome is that plaza with the pool in it. It feels a litte starck to me. Feels a little like many of the rigid civic plazas that were built in the 60's in the US that are plagued by a lack of use and uncomfortable spaces. Regardless it's a pleasure to look at the images. The design as a whole is stellar.

:cool: Good! I'm glad that you feel that the plaza with the pool might become lifeless and uncomfortable. This side with the pool is on what I consider the "back side" of the project. The opposite side is on centennial mall (part pedestrian only), anchored by the historical society and our state capitol building, which is arguably one of the most beautiful state capitols. That side has a larger, more comfortable plaza for gatherings, dedications, and unveilings.

I know i didn't mention it prior to your comment, so I'm glad someone did mention it...

tr

radarblip
09-08-2005, 04:16
Wow there is too much to look at but I will in due time. I just felt compelled to let you know that i think the images and architecture are well executed and as one who has experienced a (much smaller) scale dust storm in Kansas It certainly is a nasty thing to go through.

Regards

Phil

Juan Gomez-Velez
09-08-2005, 05:49
Trogers

When good ideas are nutured and are left to simmer in a talented and inquisitive mind wonderful things ensue....like this design. The juxtaposition of axes, having one large plane vary perpendicular to the other is original and most effective, the layering of planes ( which is a roof, which is a floor ) works very well.

Richard used up most of my superlatives, so I'm at a disadvantage as to the extent and intensity of any words of praise, all of which you well deserve.

This is an exceptional design proposal, a clear and extremely impresive presentation.

It reminds me of the one our fellow pushpuller, Fransisco, from Chile posted last year. Your images are just as intriguing and evocative. They made me smile , as surely they did you.

Congratulations "Enhorabuena"

Juan

trogers
09-08-2005, 20:49
Wow there is too much to look at but I will in due time. I just felt compelled to let you know that i think the images and architecture are well executed and as one who has experienced a (much smaller) scale dust storm in Kansas It certainly is a nasty thing to go through.

Regards

Phil

I can't imagine it, especially the snusters...i like blizzards, the snow still melts in your mouth, and the warmth of the home keeps the cold out...but eating gravel and having it overtake your peaceful life and home...i couldn't do it. I'd have left for more stable soil...

tr

franjayo
09-08-2005, 21:24
Richard,

You came back really strong, you almost silenced Juan!

trogers,

Excellent project, but I would further commend your theme selection! I find the images of the desert and sandstorms incredibly engaging. The undulating roof ceiling works very well as an icon for the theme. The rest is exquisitely detailed. You should be able to sell it, send it to the mayor's office of several towns that could potentially sponsor it.

wegofaster
10-08-2005, 05:42
well done, intresting concept, thout out well.

jake
11-08-2005, 04:48
trogers,

Beautiful work. Well organized and presented. From a graphic design point of view your boards are wonderful. I love the images on the title blocks.

I've also been staring at the image on the pushpull home page since it was first posted. Really interesting.

jrjr
11-08-2005, 16:52
I have to say that this is a very nice project. The section cut model is awesome. It rivals the stuff Ive seen in the design magazines & such.

I know that someone asked about the perforated screen....what did you use again to make that? It looks really cool.

I'm new to Sketchup. Never have been much into 3D in the past (when it seemed really cumbersome & time consuming). Now that I have seen Sketchup, Ive changed my mind.

jrjr

trogers
12-08-2005, 04:27
I have to say that this is a very nice project. The section cut model is awesome. It rivals the stuff Ive seen in the design magazines & such.

I know that someone asked about the perforated screen....what did you use again to make that? It looks really cool.

I'm new to Sketchup. Never have been much into 3D in the past (when it seemed really cumbersome & time consuming). Now that I have seen Sketchup, Ive changed my mind.

jrjr

I used VIZ. The object is a flat mesh with a material diffuse map and an opacity map. The opacity map is similar to SU's alpha transparency; in VIZ it is a matter of a greyscale image, white being opaque, black being transparent, and the shades of grey in between being translucent. In SU, you create a png or tif with a transparent background in your favorite photochopping programs and apply image as texture in SU. It doesn't work with radiosity in VIZ, nor shadows in SU...

Glad to see SU has changed the way you design. It should be a part of every architectural designers toolbox.

And welcome to the forum! :rock on:

tr

trogers
12-08-2005, 04:32
You should be able to sell it, send it to the mayor's office of several towns that could potentially sponsor it.

You know what, franjayo, I think I just might try to. What harm can come from it?

tr

design-is-life
22-01-2007, 18:27
wonderful really about designing